Refer to Studio Monitor Select in the next section. This selection affects your perception of the sound of the speaker itself, as well as its interaction with the room. ESTABLISH THE CHARACTERISTICS OF YOUR HEADPHONE MONITORING Studio Monitors There are two loudspeaker types. Before you bounce the final mix, make sure that the Ocean Way Nashville plugin is bypassed. Note: don t use Nx Ocean Way Nashville on individual tracks). INSERT THE PLUGIN Insert one instance of the plugin on your master buss. Each step is described in detail in later chapters. Since this is a unique recording space, we couldn t help but let you see it.Ĥ Getting Started Here are the essential steps for setting up Nx Ocean Way Nashville. The image in the plugin shows Ocean Way Nashville Studio A. We feel that this control room provides the ideal environment for virtual mixing with Nx. Plugin output is always a binaural stereo headphone signal containing all the acoustic elements of the Ocean Way Nashville control room This plugin uses impulse responses from the Ocean Way Nashville Studio B control room. Nx Ocean Way Nashville does not change the processing of the mix itself, but rather the environment in which you monitor it. It recreates a room in your headphones that behaves like the real room. To provide greater immersion when mixing on headphones, Nx Ocean Way Nashville incorporates the Nx HeadTracker, which changes your stereo headphones into a real-world spherical space. When you hear the mix played back in a speaker environment, you won t be surprised. You can make mix decisions as though you were sitting in the mix engineer s chair, and confidently judge depth, panning, stereo image, balance, and reverb. Paired with your favorite headphones, the plugin provides a meaningful reference point for stereo mixes monitored on headphones. It uses state-of-the-art psychoacoustic modeling of human hearing to achieve a natural, immersive, and transparent three-dimensional sound field over stereo headphones.
Waves Nx Ocean Way Nashville is a headphone monitoring tool that enables you to monitor your mix in the precise acoustic space of an Ocean Way Nashville control room. Belmont students work alongside Ocean Way Nashville s celebrated audio engineers, learning the perfect mix of tradition and technology. It continues as a world-class studio, serving the likes of Beck, George Strait, Lionel Richie, Vanessa Williams, Bob Seger, and Dolly Parton, as well as orchestral scoring for films, television, and games. In 2001, Ocean Way Nashville became part of Belmont University. Each studio boasts a remarkable list of outboard gear, classic mixing consoles, and control room acoustics built with Ocean Way Audio HR1 and HR5 studio monitors in mind making these some of the best-sounding control rooms in the world. For this they needed a dream location, which they found in a gothic revivalist church dating from Belz and Sides combined their formidable experience and resources to create a facility like none other. The story began when Gary Belz, who ran House of Blues Studios, teamed up with Ocean Way Hollywood owner Alan Sides to create a dream facility in Nashville. It has an unusual history and an equally unusual location.
8 Head Modeling Head Measurements Presets Tips for better camera tracking Selecting a Headphone EQ Curve The Head Tracking Application Camera Tracker Tab Bluetooth Tracker Tab Setting Up the Nx Head Tracker Troubleshooting Guideģ Product Overview Ocean Way Nashville is a unique place to make music. You are in LA, correct? You should come over some time and play.2 Nx Ocean Way Nashville User Guide Product Overview. Since I am totally in love with my reverb set-up, using it in re-mic mode gives me the ability to add what I think is an excellent sounding room without disrupting my verbs much, although I do have to lower them a little with the added Ocean Way roomĬlearly, this is not going to work too well on wetter libraries like Spitfire or Cinematic Strings II, but for the relatively dry libraries I use, mostly the Hollywood Series, Sonic Implants, and Kirk Hunter's, it is really nice.
I beta tested MIR and thought it quite nice but too much of an investment for what it brought to the table in tandem with what I already have.
The reverb mode probably is more similar to MIR with a Room Pack.
I was given an NFR for it but it is still unbelievably only 32 bit and my days of using 32 bit plugins are long over. I know Piet has strong opinions on it but as he has pointed out, we rarely see eye to eye on much. I can't speak to Spat vs Ocean Way Re-Mic.
Re-Mic mode is about adding the sound of the room while reverb is probably more similar to, well, reverb.